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Showing posts sorted by relevance for query texas monitor. Sort by date Show all posts
Showing posts sorted by relevance for query texas monitor. Sort by date Show all posts

Monday, February 12, 2018

Houston journalists go independent, talk finances and paywalls

UPDATE JANUARY 2019
Covering Katy website to suspend publication

Houston TV journalists strike out on their own, and open up to mikemcguff.com about making money, including turning on a paywall


A typical day for Covering Katy founder Dennis Spellman starts at 4am.

With coffee in hand, Spellman reviews overnight stringer video feeds, incoming messages from readers and all of the local news sources.

"If it happened overnight in Katy, my goal is to have it posted when people wake up," Spellman told mikemcguff.com

After hours of the morning news rush and his cups of joe, Spellman then heads into the office just off the Grand Parkway and the Katy Freeway.

As the president of an independent news site covering an entire city's news, Spellman must wear many hats. Part of his day can be spent in a networking meeting, on a sales call, or in a strategy session with a vendor. Or he could be out reporting from a Katy ISD Board of Trustees meeting to a breaking news event.

"I bring my gear and my laptop and post from the scene," he told me.

That was apparent during Hurricane Harvey last summer. From on the scene reports from a road rage homicide in Cinco Ranch, to a downpour at Barker Dam and Highway 6, to homeowners being evacuated, Spellman saw and reported it all.


"I was out in the field when possible, but information was coming in so quickly on my computer, that the best use of my time was being at my desk," Spellman recalled. "Still, in field reports were needed so I posted enough videos from the field that several people remarked that it seemed like I was everywhere. Facebook live has helped in that area."

Spellman has been a journalist since starting out at WCSH-TV Portland, Maine in the early 1990s.

He became a familiar face on CW 39 KIAH's newscast for nine years staring at the debut of its return to news in 2000.

In 2011, the same year he went to work for News 92 KROI, Spellman started Covering Katy.

"When I moved to Katy nine years ago it was clear that this community of 300,000 plus people had no news outlet that was aggressively covering the news," Spellman remembered. "We were loaded with magazines that were doing lots of fluff but no one, not even the newspaper of record, was covering news in any meaningful way."

After News 92 went off the air, Spellman decided to run the site full-time.

"At times I’ve had to reach into my own pocket to keep the lights on, but market forces are on my side," Spellman said. "When I started people would not advertise because I did not have a print product. Now advertisers don’t even ask if we also have a print product."

Now Spellman might be covering Katy with gusto, but he still has to compete with the rest of the Houston media market from newspapers, TV, radio and online properties. An announcement at the end of Janurary 2018 signaled even giant players like Google want a piece of the local news game.

And that gets to why I am writing this entire post.

A few months ago, Spellman emailed me to let me know he was taking his site behind a paywall. That's right, instead of a free product with advertising, readers would have to subscribe and...gulp...pay to see the content. You know, just like people did in the pre-internet days.


HOW THE COVERING KATY PAYWALL WORKS

Readers get four free stories every 30 days, but to have complete unfettered access they will need to pay $5.95 per month, or they can choose an annual plan where they get one month for free. The annual price come out to $1.25 per week.

"The same cost for my local newspaper when I was a delivery boy in 1979," Spellman said.



It's an idea that is actually catching on in the journalism world. The Houston Chronicle as a free site chron.com and then the pay-wall subscriber site with the news you'll find in the newspaper at HoustonChronicle.com.

This new "revolutionary" idea of paying for news even caught the attention of the New York Times in early February. In fact, reports say the "Old Gray Lady's" paywall is working well for the venerable newspaper.

"During the dark days I told my readers that I was shutting down and many wrote back and said they’d be willing to pay a subscription to keep [Covering Katy] in business," Spellman said.

That's when Spellman found LION.

 The Local Independent Online News Publishers' mission is to, "foster the viability and excellence of locally focused independent online news organizations and cultivate their connections to their communities through education and action."

So now independent journalists have a place to meetup and chat about what's working and what's not.

LION Publishers Executive Director Matt DeRienzo told me these independent newsrooms face a lot of new challenges compared to working in the corporate media world.

"Many are run by journalists who are learning how to be small business owners, and have to get used to the idea of spending a lot of their time thinking about the revenue side, which is not their first love or comfort zone," DeRienzo told mikemcguff.com. "And local independent online news organizations don't have the same kind of access to lawyers, insurance, human resources departments and IT staff that big media companies do."

Out of the nearly 200 LION Publishers members, DeRienzo tells me ten are based in Texas.

"Local independent online news organizations have a tremendous advantage in that they are run by people who live in, care about and are invested in the communities they cover," DeRienzo said. "This makes for better journalism that's more in tune with readers, and it makes for better customer service when it comes to local advertising and related services.

"They do face some of the same challenges as the rest of the industry. Facebook and Google are sucking up a huge percentage of advertising revenue, and digital ad tech has depressed what publishers can charge."

Both local non-profit and for-profit sites call themselves LION members. DeRienzo would argue even the for-profit sites come from an altruistic perspective. He believes as mainstream media reporting and editing jobs are cut across the country, it's going to take grassroots journalists to fill the gaps.

"What they do is a crucial public service, and readers are grateful for it and willing to contribute, especially when publishers explain a little bit about the resources required to provide this service and how the business model works," he added.

Over the last year, DeRienzo says the idea for direct support from readers to supplement advertising and other revenue streams has taken root in most of the LION members' minds.

"It's what some would call a paywall requiring a subscription to view stories after a certain number each month, and for others, it's more of a voluntary membership or statement of support for what the news organization is doing," DeRienzo said. "A number of sites have had voluntary paid membership programs for years, but are getting more serious about developing that as a revenue category now."


TEXAS LION MEMBERS


Marisa Trevino Latina Lista
Ashley Fisher Austin Monitor
Ken Martin The Austin Bulldog
Charlotte-Anne Lucas NowCastSA
Nelson Thibodeaux Local News Only
Field Walsh TXK Today
Tasneem Raja The Tyler Loop
Dennis Spellman Covering Katy
Colton Sanders Paris Free Press
Joe Hyde San Angelo Live



i45NOW


i45NOW is another independent news operation in the Houston area.

It serves the Clear Lake (where the NASA Johnson Space Center is located) and surrounding areas focusing on breaking news, traffic, weather and community happenings with a TV approach to coverage.

Executive Editor T.J. Aulds agrees there is a need for hyper-local journalists.

"The audience is still starved for information but they want information on the everyday things in their lives," Aulds explained to mikemcguff.com. "Will I make it to work today on time or will traffic hold me up? Why are there so many police cars in my neighborhood? How bad is the flooding in my neighborhood, my friend’s neighborhood? What’s the new business being built on Highway 3?"

The operation had a soft launch in 2015 and became fully operational in April of 2017.

"Now, while we want to make huge amounts of money, we designed the platform to build an audience first," Aulds added. "That shows sponsors that our platform can deliver and in many ways they come to us or are at least very familiar with us and understand what we are doing before we ask for money."

Aulds first thought of the idea of i45NOW (then known as Galveston Bay Now) while working at KHOU 11 during Hurricane Ike in 2008. He believes the audience doesn't want to come to a site for news and information, but wants that information to come to them on whatever platform they were most comfortable.

For now, i45Now is a Facebook-centric news operation.

However Aulds' opinion differs when it comes to paywalls.

"i45NOW was specifically designed and its business plan created to avoid going to a paywall," he said. "In fact our tag line is, 'It’s your news, why pay for it?'"

Aulds says i45NOW's revenue stream is broken down into three categories:

1. Sponsorships that are done in a "native" advertising format. These are not traditional display ads etc., but a story on the client with a clearly marked SPONSORED CONTENT label.

2. Selling Houston TV stations footage and information from news scenes that happen in the i45NOW coverage area. i45Now is just one of the "stringers" the Houston TV news departments hire to film and report stories from the field. Stringers shoot a lot of video for stations overnight and on the weekends.

3. A recently launched video production services arm. The company will produce in house or promotional videos for clients. The Houston TV stations also produce ad spots for clients. Many of the TV commercials airing in Houston now were created by the TV stations themselves.

"We are designed to rely on our other revenue streams to pay the bills," Aulds said. "That doesn’t mean I won’t ever consider some sort of added value program way in the future. But it would have to be an added value where you get more than what you get already for free But the paywall concept is not something in our plans. It’s been my experience that paywalls create a mistrust with a mass audience."

The Texas Monitor



Then there is the non-profit model that accepts donations from readers and major funders.

The Texas Monitor's tagline is, "Independent Journalism Defending the Public Trust."

The site, which has some names you will recognize from the now defunct Texas Watchdog writing for it, is about to celebrate its first year.

"I would argue we are the only news organization in Texas that looks solely at corruption, transparency issues, and questionable actions in government," editor Trent Seibert told mikemcguff.com. "Investigative and enterprise reporting is costly, but needed. Imagine a state or nation where there was no probing reporting or deep reporting. We would be back to having an army of Boss Tweeds running government."

Seibert, who previously worked for KTRK abc13, says the site has several big donors who are very interested in erasing public corruption. They want a spotlight put on elected officials who may not be doing the right thing in their opinion.

"These donors have given us free rein to look at any official in any party with neither fear nor favor," Seibert added. "And if you look at our work you can see we have done exactly that. If we can cut back on misdeeds and wrongdoing in government, that's what our donors want us to do."

These donors want anonymity because of the type of investigation the site conducts concerning wasteful spending and bureaucratic bungling.

"Our supporters generally don't want to be known and possibly targeted by the same officials we are reporting on," Seibert says. "I am sympathetic to that. That said, any donor who wanted to put strings on our reporting, I would show them the door."

The Future


As for Spellman, he has already received reader support for his new subscription based model.

He is expanding too.

In a deal with veteran journalist Jamie Mock, the two have opened Covering Fort Bend.

With a team of people to pay for like video freelancer Steve Ottesen (formerly of KNWS 51, KIAH 39, News 92 KROI) and writer George Slaughter, Spellman hopes his pioneering effort pays off.

"The paywall is not guaranteed to work but I believe it’s the only path forward for most local independent online news publishers," Spellman said. "I think that three years from now, people will be accustomed to paying for certain unique content like quality hyperlocal news. Right now many people are accustomed to getting everything for free.

"This gig didn’t come with an owners manual. We’re all figuring it out as we go along."





Monday, September 17, 2018

Texas #TVnews and radio job moves August 2018

Better late than never...


DALLAS - FOR WORTH

After 42-and-a-half years in television news — seven-and-half-years at WOWT-TV in Omaha, and nearly 35 here at WFAA – WFAA anchor John McCaa intends to retire in March of 2019.

Former WFAA 8 investigative reporter Brett Shipp is hoping to reinvent his wheelhouse after leaving the Dallas-based station late last year to run unsuccessfully for Congress.

WFAA 8 Sports broadcaster Dale Hansen, ‘a fat, white guy in a deep red state,’ is an unlikely liberal hero.

After joining Dallas-based Fox4 in June to replace Jenny Anchondo as the weekend Good Day anchor, Hanna Battah has been bumped up to weekday editions of the show.

It’s been an up and down ride for Laurie Passman, who was named D-FW-based CBS11 KTVT’s vice president and news director after being bypassed for that position in January 2017.

HOUSTON

Former Patriots linebacker Ted Johnson, a co-host of KILT's (610 AM) afternoon drive time sports talk program since 2014, departed the station.

Chris X Blayney named afternoon host of AM 700, KSEV 'The Voice of Texas' (Mon-Thurs 4-6pm).

Charese Fruge has been named URBAN ONE Top 40 Format Captain and will also handle PD duties for Top 40s KROI/HOUSTON and WNOW/INDIANAPOLIS.

Houston Chronicle Astros beat writer Jake Kaplan joins The Athletic.

KHOU 11 producer (former KTRK producer) Felicia Russell joins Ward PR.

Gonzalez hired at KPRC as social media producer.

Nick Wright will host an evening Sirius XM show on Mad Dog Radio, in addition to his work on “First Things First.”

- Doug Miller named Rice University director of news and media relations
- Telemundo Houston's Martín Berlanga to leave KTMD
- Butch Alsandor & Jorge Vargas to call TSU football on AT&T SportsNet
- Katherine Marchand joins abc13 KTRK
- 'Dave Ward's Houston' to launch on abc13 KTRK
- KPRC 2's new dog, Tex, joins Houston Life
- Sara Donchey has her baby
- Lina De Florias joins FOX 26
- Good news for Greg Bailey!
- abc13 KTRK to debut 3pm newscast
- KHOU 11 reveals what happened during Harvey evacuation
- Sherry Williams is leaving KHOU 11
- KHOU 11's Sherry Williams joins HISD

SAN ANTONIO

News 4 WOAI's David Chancellor is making the move from sports to become the station's morning co-anchor.
- Multiple exits, additions at News 4 WOAI, Fox 29 announced on social media

WOAI has named a permanent co-anchor for its 10 p.m. newscast - Irene Cruz.

KSAT12 to Expand Weekend News and Add "KSAT News at 9."

AUSTIN

Publisher Susie Biehle and Editor Debbie Hiott announced they are leaving the American-Statesman.

After 2 years away, former KVUE news boss returning to Austin.

AROUND TEXAS

KRBC Abilene Chief Meteorologist and Main Anchor Randy Turner to depart the station.

Former WSIL Southern Illinois anchor Dennis Turner resurfaces at KXXV Waco.

KGBT hires reporter Clara Benitez

REMEMBERING

Legendary abc13 KTRK weatherman Ed Brandon has died

Texas Monitor founder and longtime investigative journalist Trent Seibert dies




Tuesday, November 30, 2021

Larry Weidman: From KPRC 2 to NBC News


Larry Weidman spent a huge chunk of his television news career at KPRC 2 starting in the 1960s working his way up from Reporter, Photographer, Radio News Anchor, Producer, Associate News Director to News Director.  

He recalls his time working for channel 2, the legendary Ray Miller and the Hobby Family. 

Plus, you will read how Weidman moved from KPRC to the network level working around the world!

Mike McGuff: You worked in Wichita Falls in the 1960s and then moved to Houston in the latter part of the decade, what was it like moving to a big market station like KPRC 2 at that time?

Larry Weidman: It took me a year to move to Houston for good. In the summer of ’65, I came to Houston on vacation from KAUZ-TV in Wichita Falls (where I grew up), to look up Jon Burkhart, who left Wichita Falls a year earlier to direct at KPRC. It happened that was the week of Gemini 4—the first spaceflight controlled by the new Manned Spacecraft Center. KPRC was handling the remote for NBC News, at Building 6 and the Crest Hotel across NASA Road 1 from the entrance to the MSC. One of their crew got sick, and Jon hired me to be the night floor manager in the “Bubble Studio” NBC had built on the roof of the Crest. It had floor-to-ceiling clear glass windows overlooking the MSC, with no curtains or filters. Launch day was to be in color for the first time, so NBC brought in a one-camera truck with an RCA TK-41 color camera, and it needed a lot of light.

David Brinkley walked into the studio, sat down at the anchor desk, and said (in Brinkley voice), “Who did the lighting? (Brinkley pause) Roto-broil?” He was right, the lighting was brutal to overcome the daylight streaming through the glass. That week was a great experience for me, I got to work with a lot of NBC folks, “Rocket” Roy Neal, Aline Saarinen, Ray Scherer, and got my first look at Ray Miller, who did some reporting for NBC. I even sat in the back of the room when Ron Stone interviewed Mike Wallace for KHOU. Ron had come to Houston from KSWO-TV, in the Wichita Falls/Lawton market a couple of years earlier, and we had friends in common.

I also talked to two other ex-KAUZ friends who worked across the street in Public Affairs at NASA. That led to my leaving KAUZ a month later and starting a job as a media producer in the Public Affairs Office at NASA. But a couple of weeks after I started, Secretary of Defense Robert McNamara came back from Vietnam and announced the first of the big troop buildups for the war, and a consequent jump in the draft. So I wound up staying just two months at NASA and going back to Wichita Falls for classes at Midwestern University, and my student deferment. But I did get to work in the MOCR for Gemini 5, as the producer for the overnight voice of Mission Control, Terry White. That’s the same Mission Control used for the remainder of the Gemini program, and then Apollo, and which was recently restored.

Back in Wichita Falls, I worked weekends that school year at KWFT, an old-time, locally owned AM radio station doing some sports, some news and some board shifts as a DJ. In the summer of ’66, I went back to Houston for summer classes in Radio-TV at UH. By then, my friend Ted Shaw (another ex-KAUZ’er) was also working at KPRC, and he and Jon Burkhart convinced me to apply to Ray Miller for a job. The chief cameraman, Bob Harper, looked at a reel of film stories I’d shot at KAUZ, and then Ray offered me the best job I ever had in TV working ten hours a day Saturday and Sunday as a photog and reporter, for fifty bucks a week. I had a paid-off VW bug, shared a “Sin Alley” apartment with Ted on Mid Lane and went to summer school at UH during the week.

Unfortunately, that weekend gig only lasted a month before Ray offered me a fulltime job as the night police reporter/photographer/editor. My first day at work was August 1, 1966: the Charles Whitman-in-the-Texas-Tower day. Ray called me in early and sent me down to Needville where the family of Whitman’s wife lived. He had killed her, and his mother, the night before. I did some interviews with neighbors, and that night we did a half-hour special on the shooting, with me live in the studio. Welcome to Houston.


MM:  Talk about working at KPRC under the Hobby family, Ray Miller and other amazing talents such as Ron Stone?

LW: KPRC was a big-time operation, even then. They had color news film with their own processor the year before, and about the time I started, the switch to color studio broadcasts. Larry Rasco was the prime anchor then, but Steve Smith came to work about the same time and began doing the 10:00. The reporter and photographer ranks were just as impressive. But it all revolved around one man, Ray Miller. It seemed as if he did everything. He was the news director, assignments editor, the executive producer; he did editorials, and a weekly interview program called “The Last Word.” He also co-anchored big events, like election night. There was a picture frame hanging on the wall in the newsroom at this point we were still in the 1952-era building on South Post Oak near where the Lakes of Post Oak are now and in this frame was a big paper mache needle, with the legend: “The Needler.” That was something I think the city council had given him when he became news director and quit covering City Hall. I expect there was relief down there when that happened.

But the point is, Ray was a newsman from the soles of his feet. He had been a submariner in the Navy in World War II and was recalled for the Korean War. He had nerves of steel, and absolutely did not suffer fools gladly or any other way. If he gave you an assignment, you would do just about anything other than fail to return with the goods. The people who survived working for him revered him, people like Frank Dobbs, Steve Smith, Cal Thomas, Kay Bailey Hutchison, Ron Stone, Sara Lowrey Mackie, Bob Brandon...the list goes on and on.

Here’s the other thing--the guy Ray worked for, Jack Harris, was just as tough. The Hobby family brought Harris to Houston from Nashville after the war just as they were buying Channel 2. And he ran it from 1949 until he retired in the mid-80’s. He had been General McArthur’s radio chief in the Pacific, and was there for the surrender of the Japanese, setting up the live radio coverage of the ceremony on the USS Missouri and the arrival of Americans to take over Radio Tokyo. He was a bird colonel when the war ended. Mrs. Hobby, Oveta Culp Hobby, was also a colonel, of course. She had been commander of the Women’s Army Corps during the war. In the Army, the date you get your promotion is a big thing, and her date-of-rank for colonel was earlier than Col. Harris’, so she outranked him, and never let him forget it.

By the way, here’s a book plug. Don Carleton is Executive Director of the Briscoe Center for American History at UT Austin, and he’s written a great book which covers a lot of the history of Houston Media: The Governor and the Colonel—A Dual Biography of William P. Hobby and Oveta Culp Hobby.


MM: So when you left KPRC for NBC News in 1980, did that mean moving desks to the NBC bureau in the same building? What was that experience like? 

LW: I started at the NBC News Bureau on March 31,1980. The bureau was actually located across the driveway from Channel 2’s “new (1972)” building on the Southwest Freeway. But I didn’t go to the office that day. My first assignment as a network field producer was a news conference at Texas Stadium in Irving, where Roger Staubach announced his retirement from the Dallas Cowboys. It was obviously a big deal in Texas, it even made NBC Nightly News.

As news director at KPRC, my time had been filled with management stuff and very little hands-on news work. That changed overnight, literally. At NBC, my days were all news: looking for stories, setting up logistics for travel, working with crews on shoots, helping correspondents with scripts and editors cutting the stories. The Houston Bureau’s principal area of responsibility, aside from Texas, included Louisiana, Oklahoma, Arkansas and some of New Mexico, but I traveled all over the country on stories, sometimes with correspondents from New York or Washington.


MM:  Many local TV journalists dream about moving to the networks like you did.  What was that move like?

LW: I was lucky because I had been able to watch an amazing team of network people up close for years, because as I said, the actual bureau was literally next door. The Bureau Chief for most of those years was Arthur Lord, a dynamic newsman. The correspondents were George Lewis and Sandy Gilmour; producers Don Critchfield and A’Lelia Bundles. And the true ringmaster was bureau coordinator Joyce Barnell, a legend in her own right. We saw them all the time and when I got the chance to move across the driveway to the Bureau, it seemed very comfortable.


MM:  What was the difference between working in a familiar place to you like Houston or Dallas and then moving off to the Tel Aviv and Rome bureaus? 

LW: When I got the call about Tel Aviv, the first thing I did was call Tom Cheatham in New York. He had been Bureau Chief in Tel Aviv, and his first piece of advice was to go over and meet the people in the Bureau. I did and loved it. My wife was born in Scotland and her family emigrated to Canada and then the US when she was a child. So, she kind of knew what to expect. Our daughter was eight and adapted quickly to the American International School. By the time we moved onto Rome three years and a half years later, we were all seasoned ex-pats:)


MM:  You recently donated some of your tape archives to the Texas Archive of the Moving Image.  Why do you think it is important for these stories to be archived? 

LW: In my years at KPRC, we were covering a city expanding and changing every day. It was explosive growth. But we were able to draw a direct line to the start of TV coverage and use our film and video files to give some perspective to our daily coverage. So, I’ve always had an appreciation of trying to preserve our visual history. Once electronic news gathering came along, it was much easier to hold on to personal videotapes, and so I did through the years. And then, amazingly, Caroline Frick and her team at TAMI came along so there was a place pass on what I had saved. Thankfully, KPRC and KHOU felt the same way, and that’s where their archives are now.


MM: Anything else you want to add?

LW: I just would say that the Texas Archive of the Moving Image is doing something now, that generations to come will appreciate. TAMI is also trying to upgrade its technical operation with a state-of-the-art scanner for faster and better film preservation, along with other improvements. Contributions are welcome: https://texasarchive.org/support-us


Larry Weidman's resume

1963-1965
 KAUZ-TV, Wichita Falls, Texas
Photographer, Reporter, Anchor

1965
NASA/MANNED SPACECRAFT CENTER, Houston, Texas
Media Producer

1965-1966
KWFT-AM, Wichita Falls, Texas
News/Sports Anchor

1966-1980
KPRC-TV-AM, Houston, Texas
Reporter, Photographer, Radio News Anchor, Producer, Associate News Director, News Director

1968-1970
U.S. ARMY, Würzburg/Nürnberg, West Germany
Broadcast Specialist, Third Infantry Div.; Host, “Marne Monitor.”

1980-2004
NBC NEWS, New York, NY
Bureau Chief: Houston, Tel Aviv, Rome Correspondent/ Producer: Dallas
Retired September, 2004

2005-2010
AMERICAN RED CROSS, Washington, DC
Public Affairs Media Training


EMMY© NOMINATIONS

1992
Outstanding Instant Coverage of a Single News Story
NBC News Special: “City on Fire” (The Rodney King Riots in Los Angeles)
Producer

2001
Outstanding Coverage of a Breaking News Story in a Regularly Scheduled Newscast
NBC Nightly News with Tom Brokaw: “Attack on America” (September 11, 2001)
Producer



Saturday, March 14, 2026

Sam Stark leaves KXAN for Austin Current


Sam Stark left KXAN Austin in December 2025 to join the Austin Current as a government and communities reporter.

The Austin Current is a newsroom affiliated with The Texas Tribune that focuses on community-centered journalism in the Austin, Texas area. In his role, Stark covers issues across Travis County and Austin, focusing on how local policy decisions affect residents.

He first arrived at KXAN in May 2022 as an investigative intern with the station’s Investigations Team, one of the few interns to have his work featured on-air. After completing the internship and earning his graduate degree, he joined the newsroom full-time in September 2022 as a digital reporter.

In January 2024, Stark transitioned into a reporter and multimedia journalist role, covering a range of local stories impacting Central Texas. During his time at KXAN, he developed experience reporting on city government, community issues, and public policy affecting Austinites.

Before joining KXAN, Stark reported for the Austin Monitor as a freelance journalist, covering local government and civic issues in the Austin area. 

Stark earned a Master of Arts in Journalism from the University of Texas at Austin in 2022. He also holds a bachelor’s degree in psychology from San Francisco State University.


Wednesday, January 23, 2019

Former Houston TV reporter to shutter news site

UPDATE MARCH 01, 2019
Covering Katy and Fort Bend to continue as Spellman News

An update on my look at Houston independent news websites

Dennis Spellman

Have a couple of sad updates to report on a piece I wrote for the blog almost a year ago.

In my article Houston journalists go independent, talk finances and paywalls, I talked with former CW39 KIAH reporter Dennis Spellman about his Covering Katy website.

Last year, Spellman told mikemcguff.com that if it happened overnight in Katy, his goal was to have it posted when people wake up.

"When I moved to Katy nine years ago it was clear that this community of 300,000 plus people had no news outlet that was aggressively covering the news," he told me at the time. "We were loaded with magazines that were doing lots of fluff but no one, not even the newspaper of record, was covering news in any meaningful way.

Spellman admitted financially, running a hyperlocal news site was a struggle.

"At times I’ve had to reach into my own pocket to keep the lights on, but market forces are on my side," Spellman said. "When I started people would not advertise because I did not have a print product. Now advertisers don’t even ask if we also have a print product."

He decided to run a paywall on his site like the HoustonChronicle.com and other papers have adopted over the years.

However a week ago, Spellman posted he was suspending the seven-year-old news site on February 28, 2019.

“We have chosen to continue through the month of February so that we can live up to our obligations to advertisers and subscribers,” Spellman wrote. “There will be no additional charges to monthly subscribers and all annual subscribers were issued a refund on Friday morning."

You can read more here about Spellman's decision to suspend the site.

From my vantage point of running a little Houston media blog for a decade plus, no one is getting rich doing this - even if you see ads running around these very words. And it's not just the little sites - the big dogs in publishing are hurting too. In fact, if you follow me on Twitter, I just tweeted a New Yorker article that asked Does Journalism Have a Future?

I should note however, that the Houston Chronicle just posted the article Houston Chronicle parent reports record profits, again. So don't cry for Hearst Houston.

Another update concerns former Texas Monitor editor Trent Seibert who was featured in my article.

He sadly died last August.



Saturday, January 31, 2015

Sneak peek of Houston and Texas Super Bowl commercials

See some Houston and Texas Super Bowl TV commercials before anyone else

If you read this blog, you probably like TV, so here is a sneak peek of some Super Bowl television commercials airing locally in Houston and other Texas markets.

Adweek reported a 30-second national spot airing during the big game reportedly costs $4.5 million, so a regional or local buy like the following are much cheaper, but can still reach into the millions. So that will answer your question about that rumored mikemcguff.com TV spot.

First off, Reliant with the help of University of Houston commencement speaker Academy Award winning actor Matthew McConaughey, tells us about its app that lets customers pay their bill, monitor power usage and manage their account.


Next up, Ford tells us how well its doing in the "Most Searched," "Most Purchased" and "Most Loyal" categories.







Friday, November 09, 2012

Fox 26's Natalie Bomke talks shirtless men and morning news

I’m teaming up with TXU Energy to help get the word out about the upcoming TXU Energy Turkey Trot benefiting Sheltering Arms Senior Services. The race takes place at Dillard’s near the Galleria on Thanksgiving Day, November 22, 2012.

That means I'm also promoting the Houston media turkey calling contest (The contest will be 10am, Saturday, November 10th at the Houston Zoo - Butterfly Stage in the Children’s Zoo).

The media winner will have the opportunity to designate a public place to have a tree planted by TXU Energy and the Texas Trees Foundation.

KRIV FOX 26 Morning News' Natalie Bomke is a participant in the turkey calling contest. She talks with me about anchoring the morning shift and what she likes about Houston.

Mike McGuff: FOX 26 has a big morning show - in terms of number of hours and the number people on air during those times - how do you all juggle it?

Natalie Bomke: “FOX26 Morning News” isn’t just a 6-hour newscast, it’s a 24-hour operation. When “FOX26 News at 9p.m.” with Don and Melinda wraps up, our 4 and 5am producers arrive. The producers, along with our assignment desk, monitor network news feeds, Twitter, Facebook, local papers, police scanners (and the coffee machine) to provide new content for our morning news program.

There is a producer for each hour of the show, so you can bet that behind every (great) FOX26 anchor is a team of experienced producers developing unique news content for the viewer.

My co-anchor, Chris Stipes and I, deliver the news at 4,5 and 6am. And then, kind of like a rock band, Mike Iscovitz is on weather, Michelle Merhar is on traffic and Ford Atkinson and Andrea Watkins are out on the streets presenting either developing stories or hot topics that impact the viewers. Jose Grinan and Melissa Wilson pick up anchor duty at 7am, and then Melissa and Mike co-anchor “FOX26 Morning News Extra” at 9 a.m. In all, we have a team of about 40 people working on “FOX26 Morning News.” I like to think the imagination of our morning team though makes it more like 140.
(We’re still trying to figure out how Mike can do impressions of nearly all of our co-workers between his weather forecasts.)

Morning television anchors must be ready to wake up the audience and keep the show moving. What's your secret to having energy that early in the morning?

I have been anchoring a morning newscast for six years now and the hours never get any easier. That said, I adore my co-workers and spending 8 hours a day with them is incentive enough to get out of bed. With a six-hour newscast, there is always something to do. My favorite (extra) responsibility is live reporting, especially if it involves firemen, police officers or cats. Not all at the same time though. That would be too much.

Having worked in Houston a few years now, what are your thoughts on the city? Are you feeling settled in?

I love Texas! People complain about the weather, but growing up in Central Illinois, I’d take the heat over waking up in the mid-30’s any day! Using a credit card to scrape ice off your windshield, wearing heels and two pairs of pantyhose, is not my idea of a good time. But, I do miss my family.

I love the patriotism of this city. People here stand their ground. They are proud of their beliefs and their freedoms. This is what unites us as a city. I love the southern cooking, the Cajun influences and life by the Gulf. The Texas economy is strong and there are so many inspiring entrepreneurs in our midst.

But my favorite thing (and no, I’m not getting paid to say this) is my job. I LOVE IT! FOX26 is the best television station I’ve worked for during my career.  I have never met a more caring and compassionate group of people. The reporters genuinely care about the people they profile in their stories.
The engineers and photographers and directors, everyone, is here because news is a career they love. The support is overwhelming.

And, if I had to choose a runner-up “thing” to love about our city, it would be all the men at Memorial Park who think it’s a good idea to run shirtless. I’ve never encountered so many, anywhere else I’ve lived. But, it’s an idea I totally support!

See YOU in the morning!

------------------------------------------

Thanks Natalie!

Click for a list of all the other Houston media turkey calling participants.

Come by Saturday and see the fun. You can participate in a turkey calling contest too.

Get all the details for the race and Sheltering Arms Senior Services at http://turkeytrot.shelteringarms.org/.

(This post has been sponsored by TXU Energy. Learn more about the company at txu.com.)


Wednesday, December 17, 2025

Stephen Goin joins Gray Media as a Washington correspondent

Stephen Goin


Stephen Goin is joining Gray Media as a Washington correspondent in December 2025, following two years as a reporter at KHOU 11 in Houston.

"When I started my reporting career, I always hoped I’d have the opportunity to return to my hometown market," Goin told mikemcguff.com. "So I’m grateful I was able to do that at KHOU 11, where I learned from some of the best journalists and had the privilege of serving my community every day. Now, I’m excited to take on a new challenge in Washington, D.C., covering national issues and helping people understand how it all impacts them."

In his new role, Goin will cover Congress, the White House, and the U.S. Supreme Court, delivering national political and legal reporting to Gray’s 113 local television markets nationwide.

Goin joined KHOU in 2023, marking a return to Texas. He grew up in Kingwood and later lived in Livingston. During his time at Channel 11, he covered city government, criminal justice, and community issues, and earned an Emmy nomination for his reporting on extreme weather in Texas.

Prior to KHOU, Goin worked as a multimedia journalist for FOX News, traveling across the country to cover breaking news for FOX affiliate stations, FOX Weather, and Fox News Channel. His earlier career stops include WAVE 3 News in Louisville, Kentucky, and MSNBC, where he served as a communications coordinator, managing the network’s PR Twitter account and acting as the primary media monitor for the cable news division.

Goin is a graduate of The University of Texas at Austin, where he earned a bachelor’s degree in Government. He also holds a master’s degree in Strategic Communication from Columbia University in New York.

Shannon Ryan just joined Spectrum News as a Washington, D.C. reporter after leaving ABC13 Houston KTRK in November 2025.





Saturday, August 25, 2018

Ed Brandon's memorial service details

Eyewitness News anchors to remember former abc13 KTRK weatherman Ed Brandon


What a sad week it has been.

After the loss of former KTRK abc13 weatherman Ed Brandon and producer Trent Seibert (Texas Monitor founder), I have not wanted to post anything.

However, a lot of people have been asking me about Ed Brandon's memorial service which I now have the details of.

A public memorial service will be held Saturday, September 1st, at 2pm in the Activities Center of St. Luke's United Methodist Church.

713-622-5710 | 3471 Westheimer Road | Houston, TX 77027

It sounds like Brandon's service will feature Dave Ward, Shara Fryer and Melanie Lawson sharing fond stories about their beloved friend and colleague.



Friday, December 08, 2023

Stephen Goin joins KHOU 11 Houston

Stephen Goin

Stephen Goin is returning to Texas at KHOU 11 Houston after working as a FOX News multimedia reporter.

UPDATE DECEMBER 2025
Stephen Goin joins Gray Media as a Washington correspondent


Goin was with FOX News from July 2021 to July 2023 based in Cleveland, Ohio.

Before that, he worked for WAVE 3, Louisville, Kentucky, as a Multimedia Journalist and Newswatch 12, WJFW, Rhinelander, Wisconsin, as a Multimedia Journalist/Anchor.

Goin got his pro TV career start with MSNBC as a Communications Coordinator, where he managed the official Twitter handle for the PR team and was the primary media monitor for the entire cable news network.

The University of Texas at Austin grad also earned his master’s degree in Strategic Communications from Columbia University. 




Tuesday, April 09, 2013

Sachse's hubby becomes pin-up star, Reyna's overseas adventure and more


MORE VIDEO
- The Audition Tapes That Launched Celebrity Careers
- KABB-TV conducts interview with the first and only heavy metal mariachi band
- KEYEWitness News at 6pm (11/10/1999)
- KTBC Channel 7 Morning News (11/14/1986)
- April Fools' pranksters hit Austin, KVUE

Legendary Radio Station Gets New Morning Team
Beginning Monday, April 8 from 5:30am-10am, Tony Zazza and Julie Fisk will take over weekday mornings on 103.7 Lite FM (as KVIL is known today).

Life in a Recession
Josh Venable Reflects on His Layoff by Clear Channel

Appreciation of BOOTED NEWS WOMEN Blog
SAY HELLO to Shon Gables of WFAA in Dallas

Belo Makes Mobile Push As Traffic Spikes
With about 50% of its traffic coming from mobile, Belo is making an aggressive shift toward restrategizing mobile content creation.

Dominique Sachse's husband is now a pin-up
KPRC 2's Dominique Sachse's hubby Nick Florescu featured in Modern Luxury. We learn his dad wrote In Search of Dracula.

Jennifer Reyna in Dubai
KPRC 2's Jennifer Reyna posted about her Dubai trip on Facebook.

Comedy Is NOT Pretty
Dismissed from 1560, Comic John Wessling's Heart Still Belongs to Radio

KTXH fires up 20.2 and 20.3
Fox-owned KTXH channel 20 has now turned on its two subchannels, and it looks like TitanTV was right on the money.

Rice President David Leebron Plays a Painful DJ Set On KTRU
Rice University president David Leebron pulled up a chair inside of the KTRU Rice Radio studio and played some of those rooty-tooty, groovin' oldies.
In other words, music that KTRU has made a point not to play since its 1967 inception.

KEYE adding mobile signal
Viewers of KEYE will soon be able to watch all the station’s programs, including local news, on their smartphones and tablets.

KLBJ breaks new ground with subscription podcast
For more than 20 years an Austin radio team has entertained fans. Now they're launching a new venture they hope will have even more people listening to what they have to say.

EMF Acquires KOUL Corpus Christi
EMF has acquired Country 103.7 KOUL Refugio/Corpus Christi from Tejas Broadcasting for $1.25 Million.

New editor to lead 'Monitor' newsroom
The McAllen Monitor has hired a Texas-Mexico border native and veteran journalist to lead its editorial coverage, staff members were told Thursday.

MOVING

Kyle Montgomery leaves KPRC 2
KPRC 2's weekend sports anchor Kyle Montgomery signs off for national footprint.

Houston Press Assistant Music Editor/Staff Writer Craig Hlavaty joins the Houston Chronicle on April 22 where he will report on local news. He has been with the Press since August 2006.
- Craig Hlavaty On "Who Wants To Be A Millionaire" in February 2006

IN CASE YOU MISSED IT
- Future KHOU meteorologist Brooks Garner has UFO sighting
- Fox's The 'X Factor' auditions coming near us
- Houston TV websites in 2003
- Steve Smith, former KHOU 11 anchor, talks KPRC 2 newscast 'Scene at 5'
- Fox 26 KRIV has ND and lots of other jobs open for you


Tuesday, March 06, 2007

Help Texas Children's Hospital win

Help Texas Children's Hospital win:
Colgate-Palmolive and Starlight Starbright Children's Foundation have teamed up for the last 17 years to help seriously ill children and their families cope with the pain, fear and isolation of childhood illness.

Hundreds of hospitals are on a waiting list to receive a Fun Center. These mobile entertainment units provide endless fun for children in the hospital who need a distraction from their illnesses. Fun Centers help turn worry into laughter and weariness into delight!

Fun Centers feature a flat screen monitor, DVD player and the latest Nintendo® game system. The Centers are mobile and roll right up to a child’s bedside to provide hours of game play and movie watching.
CLICK HERE TO VOTE

Monday, March 03, 2008

Michael Garfield talks about marketing yourself with Mike McGuff

I could always do a better job of marketing the mikemcguff.com blog. I could comment more on other blogs, hand out business cards with the url, advertise and even tell people I meet with that I have a blog.

So to help me and you, I sat down with Michael Garfield, The High Tech Texan, to talk about marketing yourself. Garfield is one of the best marketers I've ever come across. This conversation applies to both bloggers and non-bloggers.

Enjoy.


Mike McGuff: How did you even get started?

Michael Garfield: Well, way back when, I was just a television geek. This is before the Internet, when, growing up in the '70s and '80s, I watched literally about 14 hours of television a day. I lived for television and the medium, which is the reason, I'm telling you right now, I don't have a Texas accent. Because I grew up listening to dialect on television, and no one one television has an accent, and they all talk fast and animated. My younger sister, my parents have Texas accents. I don't. So I knew that's what I wanted to be.

My major in college--at "the" University of Texas, by the way--was radio, television, and film. It's a very hard industry to break into, at least back then. And so I like working smart, not hard. [laughs] I'm trying to think which is the quickest way to get into the industry. So I wanted to be an RTF communication major. Every one of my friends: lawyers, doctors. I'm the only one who just did not take that track. And I graduated, moved back to Dallas--I'm a Dallas boy, by the way--with my parents. It's a law. Lived with them for a while.

And QVC was on a nationwide hunt for new on-air talent back in the late '80s. My mom literally ripped the want ad in "The Dallas Morning News," taped it on my bedroom door. She says, "Go." And I laughed. I'm thinking, "I never watch this crap. Who watches QVC? Nobody watches this stuff."

Well, anyway. I had nothing to do, so I went down there. And there was about 1,000 people lined up, just like an "American Idol" type of thing back then, waiting for a two-minute audition. They did this in 10 cities: 10,000 people. Lo and behold, out of 10,000 people, they picked three people. I was one of them that made it. And I was like a 22 year old kid at this time, and I was the youngest person ever hired.

But what I did is I studied. I actually started watching QVC. I want to get in the minds of the companies who I represent and what I want to do. If I'm going to put my mind to it, I'm going to win. And so I started watching. I picked up every nuance of TV. I saw all these people selling this stuff. I see them when they talk off camera, and I picked up names and things. And I went in and I just killed this interview. I mean, the cameraman was laughing because he couldn't believe I knew the names of off-camera producers. It's just I watched it for about a week and a half solid.

They hired me. I went to the East Coast, hit the south side of Philadelphia. And that was--you talk about a sales job--national TV, no script, live. 10 minutes talking about a salt and pepper shaker: you'd better come up with a lot of bullshit to describe this salt and pepper shaker.

So I was taught to look at everything--objects, products, services--in a different way than you normally see them. I mean, if you look at a salt and pepper shaker, nobody really cares about the fact that it pours pepper. You literally have to talk about how that silver top shines off of your dining room set light, how this crystal is heavy, when your guests come over. That gives you the feeling of seeing it like it's a good thing. I can sell these things. That's what they taught us. It's carried me to this day. I sell myself, as everybody should. But I also sell any product that I truly believe in.

So the QVC was great. It was an interesting way to get a national exposure, how to work with the cameras, the lights, the producers in your ear. Of course, that was in the middle of the night. Nobody really watched except the West Coast and my parents in Dallas. [laughs] And I wanted something more: more money, bigger career track.

I hopped down to Washington, DC, after that, because I was on the East Coast. This is the only time I've ever anywhere outside of Texas. And I worked for a sports marketing company. And I was a 25 year old kid, and I worked for one of the biggest sports marketing firms back in the '90s. It was called ProServ. Literally, in the early '90s, they represented almost everybody in the NBA, including Michael Jordan himself.

And so, here I was. I was just walking down the halls, and I would see all these famous basketball players. This was when the deals would get started. Nike, Adidas, Reebok, Visa: I would be sitting in these presentations from our marketers, trying to sell endorsements.

And that's where I got the idea how these pitchmen, people are just paying them ungodly amounts of money, and they don't know anything. I mean, right now, what does Tiger Woods know about Buick? What does Michael Jordan know about Hanes underwear? They use them for their celebrity. And you know what? It really works.

And to this day, jumping forward, this is kind of how I do it myself. I represent myself, almost the same way that they do. I kind of structure the same contracts. I can do X number of appearances, and they can use my voice. They have the right to my likeness and my brand. It's exactly the way that the sports marketing did.

So I did that for a few years. That didn't pay anything, because it was sports marketing. [laughs] It was getting married at that point.

And then I worked for a real company. That's when I went to MCI. And MCI, I'm now in the communication era. This is the early '90s, when they had the long distance wars. I was on the advertising marketing team, where I saw the Friends and Family and how were their advertising, and I got how the whole company works.

And so that actually got me to Houston. MCI opened a very large call center in Sugar Land. I was looking for an excuse to get back home to Texas. I'm like, "I'll go start it." They moved me to Sugar Land in 1995, and that's where I was. And that was the start of the Internet. MCI was one of the first companies on the Internet: Internet MCI. And so I took a liking to this thing, and I'm thinking, "This is neat. This is a neat one." This is dial-up, too. [laughs] It took 10 minutes a page to load. I'm thinking, "This is huge."

So I got the Internet early on. I got the World Wide Web in the '95-'96 era, right before it really hit. A headhunter came a calling, from a little company called Microsoft. And they were opening a new local office, which would become Sidewalk.com, which is now Citysearch.com. It was the guide to the city. And the mantra back then was, "Put down the paper! Don't watch TV! You'd better log online to get your restaurant reviews and everything." And I knew more about the Sidewalk project than the headhunter did, because I knew the industry.

Microsoft hires me, and that's where the whole ball started rolling. I'm a networking guy, if anything. I like meeting people. I know that I can help people later on in life, vice versa. I want to meet networks of people.

And so, when I had what I call the M Card, the Microsoft Card, it opened any door I wanted to. I walked into the Astros, I walked into the city of Houston, I walked into the Enron: "Microsoft! Microsoft!" And I kept every single card. I kept every note of every lunch I made, every person, where we had lunch. I just had this database that was growing, thinking, "You never know where this is going to go."

Microsoft eventually kind of killed that division. I got an opportunity to move to Redmond, Washington. I think we were pregnant with our third kid. We looked at the prices of living out there. It's like, "Aye, chihuahua! [laughs] That ain't helping."

So I'm thinking, "You know what? I have a large enough contact over here. I have no job experience. But I'm in Texas. I can use the ex-Microsoft employee shingle. And I think it's a rule: once you leave Microsoft, you have to start your consulting business, or something like that.

[laughter]

But this is in 2000. This is the dot-com era, before everything died. And I got some good clients, of helping them set up how to market their companies via email and the web. And they were using me because they knew me and I'm ex-Microsoft, and it worked well.

About this time, the general manager of Channel 11, Peter Diaz, back in the day...

Diaz had made friends with me when I was at Microsoft, because they were really starting to pump up KHOU.com, and he wanted my advice of what they wanted to do. So he would take me to lunch, and I would give him free advice. Well, they started realizing they wanted somebody on-air, on a semi-regular basis, to talk about the web and the Internet. This is in 2000.

He knew I had some on-air experience, he knew I knew a lot about the web, and he offered me the position. And so I did a little demo. And I was going to be at 10:00 news on Channel 11, one time a week. I made it in. They were waiting around a week or two to make me an offer, and I'm all hyped up. And I don't like waiting. I'm one of those ADD guys. It's like, "Go!"

Well, one of my best friends is a producer at Fox 26 [KRIV]-- still is. And I said, "Hey, listen. This is cool. I'm getting ready to get an offer from Channel 11. Does this money, this deal seem right?" He goes, "Hey, you know what? I heard my news director say that we're looking for somebody like that. You should come over here and interview with us." The next day, I was in Fox, back in 2000, being their on-air guy, and they offered me a position. I think it was unpaid, at that time, to do it.

Well, lo and behold, I'm thinking, "If two of these stations want me, maybe there's somebody else who's out there." And I happened to know the general sales manager of Channel 2 [KPRC], who is a friend of mine who went through a course, Leadership Houston, which I'm a part of. And I said, "Fox and Channel 11 both want me to do this. Which way would you lean, as a friend?" He goes, "Wait a minute. They both want you? You better not sign anything until you come over here and you interview with me and Nancy Shafran and all the staff."

I'm like, "Oh my god, when it rains, it pours." Sure enough I went to Channel 2, did the test, and met all the Morning Show. They made me an offer to be five times a week, every single day, on the morning desk, live. I live in Sugar Land and it was convenient to my house. Turns out I went with Channel 2. So I thanked everybody, I thanked Diaz, and from 2000-2001 I was the on-air guy on Channel 2. I was the only electronic medium person here locally who would talk about it.

My shtick, to this day, is that I don't get too technical. I don't talk about megabytes. I don't talk about gigabytes. People don't care. They don't care that 802.11g is a 2.4 gigahertz frequency or that it'll mess up the baby monitor. They care about, "You mean I can surf wirelessly at a Starbucks?" That's what they want to hear. If I presented it that way, I could have a six-year-old listener, a ninety-year-old listener and everybody in between, and I figured that out. Plus, I use humor and I don't take myself too seriously.

I did it for a year. While I was on Channel 2, because I'm a marketing type of guy, I needed a moniker. I needed something funny, other than my stupid name of Michael Garfield. I'm thinking there's Tony the Tiger, there's Toucan Sam; everybody has got these monikers.

I do a lot of running in marathons, so I'm running one day in my neighborhood two to three months into my Channel 2 stint. I'm thinking that I need a moniker and it just pops into my mind: I'm from Texan--High-tech Texan. High-tech Texan--I keep saying this to myself as I'm running.

I've probably never run a three-mile stretch so fast in my life. I was about three miles from home. I ran as fast as I could. I'm dripping sweat, run in to my computer and nobody has "High-Tech Texan.com" so I quickly registered. The smartest thing I've done did to this day is that I got a trademark lawyer and I trademarked it. So Channel 2, Clear Channel, nobody can get it. I own it. And I created the logo, a funny nice little hat with the little thing like that.

When I wrote my scripts from Channel 2, they would CG me as "Michael Garfield, Nothing but Net." When I started writing scripts for anchors like Don Armstrong and Pauline Chiou, I said, "And now it's time to introduce our High-tech Texan, Michael Garfield." They started reading it because I wrote it. The next thing I know, I look at the screen and they start CGing me as the High-tech Texan, and that's how the whole thing started. There was my moniker.

About that time is when the Road Runner people came in. Road Runner from Time Warner was just getting ready to launch. Road Runner was sponsoring my segment on Channel 2. Obviously, I had no dealings with them. That was all through the sales channel of Channel 2, and I know that Channel 2 was making a ton of money by running this 30-second spot.

Road Runner was apparently attributing a lot of their membership and new subscriptions to me, tracking it back to my segments because I would talk about Internet gadgets and all of a sudden you would hear this commercial, "The fastest, cheapest way to the Internet is Road Runner." So, the Time Warner people just called me and I blindly introduced myself.

It just so happened at that time that I was one of the first people to use Road Runner, because I was in one of the first areas in the southwest part of town that used it. They asked me to speak at a conference. I was like, "Anything that keeps you happy and Channel 2 happy, I'm happy. I'm getting no money at all." We started striking up a relationship and then the next thing I know, they said, "We really want to ramp this up. We have a nice advertising budget. Would you do a TV spot?" and "Would you do another TV spot? and then "Would you do radio ads?" Then they started making a billboard campaign.

The next thing I know, this is about 2002, I can't turn on the TV or drive down a freeway without seeing billboards and it was just amazing. At that point, I realized that there was something going on over here. I think the lesson to be learned is that at that point, I was probably on television more than Mattress Mac. The big difference was that I wasn't paying for my own spots like Mattress Mac does.

Probably one of the largest communications companies in the world, AOL-Time Warner at that time, was using their multi-million dollar campaign, and they were branding me. If you look at the commercials, there were people running and chasing after me because I was their answer guy. So, they were building my brand with their money: "Here's Michael. He knows it all in the world of technology." It was really a right place, right time feature.

At that point, Clear Channel came calling. Now Clear Channel, eight stations as we talk about this, called me out of the blue. They said, "Michael, what you're doing on TV for Channel 2, I bet you can do the same thing for us on all eight of our stations." Obviously, I think they were smarter than all of us, thinking that I'm the Time Warner and that maybe their advertising dollars would follow me to Clear Channel.

The second smartest thing I did that year was that I made Clear Channel--I love the idea--hire me as an employee, which is key because I needed benefits; we had the third kid. So to this day, from day one, I've never bought advertising time. I am an employee. Believe it or not, I'm one of the longer tenured employees at Clear Channel, here since 2001.

Mike McGuff: Right.

Michael: They put me daily on 94.5 The Buzz [KTBZ], Rock 101 [KLOL], I was with Greg Pruett and the Boner, I was on 740 KTRH as news warranted, I was on Sunny 99.1 [KODA], and I was on Mix 96.5 [KHMX]. You couldn't not only turn on a TV, you couldn't turn on a radio without hearing my voice. Now, I'm really puking when I hear my voice.

That led to my own show. Back in the day, Ken Charles, the program director, and Brian Purdy ran the Clear Channel AM side. To go along with our gardening shows and home improvement shows, a technology show was natural. So, they gave me my own show on KPRC in 2002, and I'm proud to say that I'm the longest running local live voice on KPRC to this day.

At that point, ad dollars started to follow, that the sales guys did, because I'm this local person. It started off only in the technology business. There was only like HP, and Verizon would want to do it. But once you realize that you see this guy on TV, you see him out at events and he's a regular guy. He's got three kids. I eat, I drive cars and I mow lawns: there are other products out there. That's the business in the radio business. You're allowed to do endorsements.

Here's the funny part. At first, I would get a push from the salespeople at the radio station. They would call me and they'd want to know, especially Rock 101 back in the day, they wanted to know if I wanted to do a commercial for ricksonline.com. Initially, I was like, "I'll do anything" because I didn't understand this business. Then as time went on and I realized that I've got companies like Time Warner behind me and I'm giving out real good information, I really should be careful about who I'm endorsing. To kind of paraphrase Spider-man, "With power comes great responsibility."

It's been flipped. Now, I'm very happy to say that I'm turning down 60% or 70% of the clients that come in because I want to position myself and my brand with these large clients. Now I work with AT&T, Toyota and HP. These are the companies. I know that if I want to grow, I'm not going to get anywhere working with seedy businesses.

And it just grew. A lot of people come up to me and say, "Michael, you did such a great job of marketing yourself. You're always out there promoting yourself." To some extent, I scratch my head and think, "Everybody should be doing that." If you can't sell yourself, you're stuck in a rut. You're stuck in a bad job. You've got to sell yourself during interviews. But it wasn't so much about me selling myself; it was working with other companies and clients.

I know I have something to offer. Maybe I can explain a complicated piece of gadgetry. Let me help you, and then obviously they're gong to buy some advertising and they're going to use my name. They're really helping me. It's really about networking and working with companies. It's about over delivering, too. I have in my contracts with a lot of companies that I'm only supposed to do X number of appearances or talk about X. Whatever I can do to network and get them more business, I'm there. That's why there's not a lot of turnover with my partners. And they're really partners, not my clients.

I still scratch my head and laugh at myself when I hear myself on the radio or see something on TV. This was a wacky idea that I had a few years ago. In some sense it's entrepreneurism and it's marketing, but it didn't happen overnight. I have a family that's understanding, because we had no income coming in when we had a third kid coming in.

It was a lot of talking and working, but the end result is that I don't have a game plan of where to go from here. I want to keep working and growing. I joke, but I'm serious: I don't know what I want to do when I grow up.

Mike McGuff: Yeah, because there was no way you could have planned for this.

Michael: There's no way. It was the right place and the right time. I mean, I'm going to walk out of here today or tomorrow, I'm going to meet a potential new opportunity, a new client. I met a ton of new people at the CES show, wherever I go.

Once they understand that I'm this guy--in a huge market, in Texas, which has a ton of consumer people, and certainly business to business--that I have a large reach, and they go to my website, and they see that I'm legit, and they see I do videos and work for companies, it's like, "Maybe you can work for us." I mean, you've got to continually be out there thinking of your next move.

I speak to a lot of schools and a lot of kids. I keep saying, "Even Bill Gates. Bill Gates should not be resting on his laurels. He's got to be thinking the next step ahead." It's not just business deals, but where do you want to go next in life? It's not about the money. It's just the challenges.

And nowadays, I'd like to be remembered as, "Oh, that's Michael. That's the father of Justin, Josh, and Adam." I'm out there with the soccer. I make sure that I still mow my own lawn. You know why? Because I've got three young kids, and boys are supposed to go out, in Texas, and mow lawns and do yard work. I don't want them seeing anybody else do it. But my family does a hell of a job of keeping me as real and as low as ever. [laughs] They just think every daddy is on radio or TV. They don't know any difference.

Mike McGuff: What's your advice to people? You said that you need to keep marketing yourself. I think a lot of people are afraid they'll come off as almost conceited. They don't want to look like, "Oh, he's just a shameless self-promoter."

Michael: Right.

Mike McGuff: And they think that's a negative thing, but you're saying not necessarily.

Michael: And that's a very fine line. And I'm sure I've been accused of that, and people probably still see me when I'm walking around: "Oh, there's the guy who's always talking about himself." And that's not really the case with myself. I'm talking about what everybody wants me to talk about. KTRH has me on almost daily. They want me to talk about what's happening in the technology world. The TV stations, they come sometimes with the cameras: "Michael, can you provide a sound bite?" I'm not talking about myself. They're using me for the knowledge that I have.

But what I tell kids and people who are not happy with their jobs: you've really got to be out there looking for that next step, not only internally. This is a different climate than our parents grew up in. My dad was with EDS, Electronic Data Systems, backed by Ross Perot, for 29 solid years--just white shirt, dark suit, red tie, and the buzz hair cut, which I think that's [laughs] why I totally went opposite. But you stuck with a job for a long time.

Nowadays, I think jobs are almost like projects, kind of like the Hollywood studios. You're going to get hired for this movie for six to eight months, and you're going to move on. A lot of colleges, and a lot of people who don't even go to colleges right now, they're getting very proficient in web development, blogging, photography, Photoshopping, and they're almost becoming consultants. You're always going to have to look out for the next gig and the next job.

And if you're working for yourself, you don't have an ad budget to advertise for yourself. And when I was a consultant and looking for a job, I figured, if one of these TV stations, like Channel 2, hired me, it was a great, convenient way to get my name out there for a calling card for consultancy. Not like I was begging for a job from them. I just looked: what benefits could this provide me? And you've got to keep rolling.

Mike McGuff: What's your advice to people? I mean, obviously, there's a lot of bloggers reading this right now. What do you suggest to them? How do they promote their blogs? Even if someone doesn't have a blog and is reading this, how do they promote themselves? What are some easy steps to doing it?

Michael: Blogging is great. Who could imagine blogging got us here? [laughs] We talked about your blog. You're getting 10,000 a month hits. You're getting people from outside of the city. And that's amazing, because you're a Houston-based guy talking mostly about Houston media, and you're getting people from East Coast and West Coast reading you.

Mike McGuff: Oh, international.

Michael: It's word of mouth. Here's the thing. Even I have trouble, because I don't have time. If you write regularly, once a day, even more times a day, you're going to get more traffic, because people aren't going to see your information being stale. So write regularly.

Blogging, for the most part, is informal. Use some humor. You don't have to follow the typical journalism rules.

Oh, yeah. Technology now, like RSS feeds, you know, it used to be the fact is, I have a hundred different pages I have to check. Nowadays, if you can make sure that people say, "Hey, click this, add me to your RSS." It automatically is going to feed into your inbox.

I know that is how a lot of people read me and I know it is how a lot of people read you right now. Make sure that, if you really want your blog to be read. If you can hone in on a specific topic or target. And, if you can get someone or some people in the media to read about it regularly and use you, there going to give you credit online. And, this happened, a lot of talk radio hosts, right here locally.

I remember Chris Baker read several local bloggers. What is going on in the city? I am sure a lot of people continue to, I do so also. And, if I see it, I am going to say, "Man did you see what Laurence Simon wrote about? He is going nuts on METRO." Well, the fact is, I just said Laurence Simon's name to tens of thousands of people. And, it just flows. So, if you can make sure that the media, not just radio, TV, but also other print journals. Let them know that this is what you hone in, this is your expertise.

Tell them to check it out, add your RSS. Or if you have got something really hot, send them a note. Send the reporter a note, "Hey, Michael, I just want to let you know that I updated this." They are going to come back regularly. And, again, any word of mouth is going to continue to help.

Mike McGuff: People clearly need to learn the Internet right now. That is a great way to market yourself. I mean, besides blogging, if you are not interested in doing that, you do not have time to write it. I am sure there is a way you can use the Internet, right?

Michael: Right, you know what, if the Internet, as we know it, was around in the same way, shape, or form, fifteen years ago, I would probably be international right now. But, what is happening, look at the way colleges are now taking applications. I mean, people putting YouTube videos for resumes on a thing like that. Understand, you better, I mean, years ago I used to say, man, if you could not do Microsoft Word or Office, you could not get a job in an office.

Nowadays, if you do not know what Twitter is, if you do not know how to blog, if you do not know what an RSS is, if you do not know how to shoot and upload things to put it on YouTube on the fly, you are almost going to get lost. And, people are becoming world famous for blogging or videotaping.

Which, believe it or not, is turning into careers for these people. Paris Hilton, same thing, I mean, there is another one. Use the Internet for what it is worth. Especially the kids. In high school, my twelve year old son, who is in seventh grade, he is taking a web developing class. And one of their assignments is to create a blog. I mean, they are twelve. When I was twelve, I did not know how to turn on a computer. That is the times now.

Mike McGuff: It sounds like it takes a lot of work to do this. You can't just rest on your laurels and sit back on the couch and say I will get to it tomorrow.

Michael: You cannot, and you do not need to. The fact is, you still cannot sit on your couch, on your cell phone, and on your laptop and surf anywhere to do it. But, you have to keep it out there. If you are looking for an initial job at a college. Right now, you know you can post things online on websites. I remember looking in the Want Ads. I can not tell you if the newspaper still has a 'Want Ads' section, because now there is Monster.com, CareerBuilder.com.

You can post your credentials now and have jobs come after you. You cannot beat that, that is interactive. So, always be online and you keep up with, not only, the world issues and world news but, there are new ways to make sure that your name and your face and your talents are out there.

[Interview end]

Read other Houston media folk's interviews who have decided to stop by here:

- Ed Brandon announces retirement on the mikemcguff blog
- Michael Berry talks to Mike McGuff about his new radio role, leaving politics
- Ken Hoffman of the Houston Chronicle talks to Mike McGuff
- Houston radio's Laurie Kendrick talks to Mike McGuff
- David Sadof talks to the Mike McGuff Blog
- Wes Hohenstein talks to the mikemcguff blog about TV weather
- White House Correspondent Julie Mason talks to mikemcguff blog

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Friday, March 27, 2020

Producing videos from home

Here is some of the equipment I used to produce my Alzheimer's fight thank you video


Since I wasn't able to attend the Alzheimer's Association Forum in Washington DC this year because of the coronavirus, I made this video thanking Representative Lizzie Fletcher, for her work on fighting the disease.

As an Alzheimer's Association Ambassador, I represent Fletcher's district, Texas District 7 of the United States House of Representatives.

We were scheduled to meet with the congresswoman at her Capitol Hill office to thank her in person, but since we can't, this was the next best thing.

Making this video got me thinking of all the Houston TV folks broadcasting from their homes.

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It was a good activity for my kids. Kept them busy for a while. My youngest son told me he was going to stick with me till we were finished. He is ready for the production world one day with that attitude!

This was the first time they seemed interested in production work.

People have been asking me about the technical aspects of shooting video at home. This was shot with a Canon EOS 5D Mark III, Savage Lavalier wired Microphone, Sunpak - LED 448 19" Bi-Color Ring Light and Ikan DH5e-DK-C monitor.

If you don't have this stuff, don't worry, a phone works well to. You can even plug a Lav mic into a phone while using a ring light for good looking video. This is how some of the TV people are doing it.

Since 2013 or so, I have been editing with Final Cut Pro X, but have just now started transitioning to Adobe Premiere since that seems to be what lots of people are using these days. Both are great programs, but I do miss the ease of the Ken Burns effect when using Premiere.

Here are the equipment specs if you are interested in this type of thing.